Today's topic is composition. Hmm, we've all heard about it but what does it really mean? Webster might define composition as a means of 'putting together,' and can apply to any work of art, from music to writing, that is arranged or put together using conscious thought. When I am taking photographs I am constantly thinking about composition. Mainly, I am thinking about the placement of my subject.
For years when I was taking portraits, my senior portraits for instance, I would use a vertical format 80% of the time. I was conscious of my subject and 'vertical' just seemed to make sense. As my photographer's eye matured I began to see the bigger picture (no pun intended). I began to see the picture frame in a whole new way. Slowly I found myself using more and more horizontals with my portraiture. The vertical is efficient in doing portraits, yes, but the horizontal, oh the stories it will tell.
You have probably heard about the rules of thirds, how you should, "never put your horizon in the middle of the frame," but divide the space equally into thirds and place your subject somewhere in the third sections vertically or horizontally. This does help the composition. But what if we go one step further? Let's tell a story with the placement of our subject in the horizontal and play around with the placement beyond our rules of thirds.
So, let's see, perhaps the subject is entering the lower right corner, in fact, maybe just half of his face is entering the space. The background, or negative space, becomes an important part of the story. The 'placement' can read a lot of different ways: confinement, intrusion, retreat, avoidance. Ask yourself the next time you are taking a portrait: what significance is the background to my subject? The background might consist of brilliant colors, it might be an interesting textured wall, it might be a crowd of people. What ever it may be, if the relationship is significant why not make it a vital part to your visual story.
Visually play with your subject placement and you will discover a whole new meaning to composition. By the way, sometimes it is okay to put your subject in the middle of the frame, it all depends on your intentions.